close
博客來精選推薦Imagining Spectatorship- From the Mysteries to the Shakespearean Stage
Imagining Spectatorship- From the Mysteries to the Shakespearean Stage
Imagining Spectatorship- From the Mysteries to the Shakespearean Stage 評價
網友滿意度：
不論是在學生時期或開始工作後
我對語言一直都有難以言喻的嚮往~~
自英文的從國中啟蒙
能夠用其他語言的邏輯來思考事情
也是一件很有趣的一件事
跟一般人喜歡用吃吃喝喝出遊玩來打發時間
我更喜歡用書籍安靜的充實自己
所以特別跟大家推薦我目前在看的
Imagining Spectatorship- From the Mysteries to the Shakespearean Stage
非常好上手、條理分明
對於希望入門別太難的人很適合
而且這最大的成就感就是用新學的
語言查資料了XD
看自己key出之前完全不了解的文字或音
真的有滿滿的感動啊~~
希望推薦的這本書能夠讓大家都能
感受或得知識的喜悅!
一起讀書向前邁進吧!
博客來e-coupon傳送門
Imagining Spectatorship- From the Mysteries to the Shakespearean Stage
本週熱銷商品:
|
台中水晶專賣店Heal Your Mind- Your Prescription for Wholeness Through Medicine, Affirmations, and Intuition |
Counseling and Coaching in Times of Crisis and Transition- From Research to Practice |
商品訊息功能:
商品訊息描述:
Oxford Textual Perspectives is a new series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works.
Imagining Spectatorship offers a new discussion of how spectators witnessed early drama in the various spaces and places in which those works were performed. It combines broad historical and theoretical reflection with closely analysed case studies to produce a comprehensive account of the ways in which individuals encountered early drama, how they were cued to respond to it, and how we might think about those issues today.
It addresses the practical matters that conditioned spectatorship, principally those concerned with the location and configuration of the spaces in which a performance occurred, but also suggests how these factors intersected with social status, gender, religious commitment and affiliation, degrees of real or felt personal agency, and the operation of the cognitive processes themselves. It considers both real witnesses and those 'imagined' spectators which are seemingly figured by both dramatic and quasi-dramatic works, and whose assumed attitudes play-makers sought to second-guess. It also looks at the spectatorial experience itself as a subject of representation in a number of early texts. Finally, it examines the complex contract entered into by audiences and players for the duration of a performance, looking at how texts cued spectators to respond to specific dramaturgical tropes and gambits and how audience response was itself a cause of potential anxiety for writers.
The book resists the conventional divide between 'medieval' and 'early modern' drama, using its focus on the spectators’ experience to point connections and continuities across a diverse range of genres, such as processions and tourneys as well as scripted plays, pageants, and interludes; a variety of different venues, such as city streets, great halls, and playhouses, and a period of about 150 years to the Shakespearean stage of the 1590s and 1600s. It seeks to offer routes by which inferences about early spectatorship can be made despite the relative absence of personal testimony from the period.
商品訊息簡述:
- 作者： McGavin, John J./ Walker, Greg
- 原文出版社：Oxford Univ Pr
- 出版日期：2016/06/15
- 語言：英文
Imagining Spectatorship- From the Mysteries to the Shakespearean Stage
文章標籤
全站熱搜
留言列表